“I wrap my conscience up,” Jagger spits out on “Winning Ugly.” “I wanna win that cup and get my money, baby” this tune won’t be on the party tape at the business-school reunion. With “Winning Ugly” and “Dirty Work,” this is the Stones album for the yuppie era, defining - and defying - the complacent nastiness of the mid-1980s as “Gimme Shelter” caught the crumbling hopes of the late Sixties and early Seventies. Yet every time the Stones get around to releasing an album, we expect them to do more - to take us by surprise, make us laugh and gawk, tell us what the hell is going on.ĭirty Work does that, but only now and then it’s more like a product than a statement, although it’s a little of both. Mister or the Pet Shop Boys could never imagine.
#The rolling stones dirty work how to
Amid ups and downs, they’ve always known how to make a solid rock record in ways Mr.
#The rolling stones dirty work plus
The Stones’ music has sniffed at every trend from psychedelia to disco, yet it’s gone nowhere slowly it’s still basically the same warped Chicago blues they started with (especially on Dirty Work in “Had It With You”), plus a little reggae.
When Mick Jagger sings, “Hear the voice of experience,” in Dirty Work‘s “Hold Back,” he ain’t kidding. And they’ve taught everyone since the baby boom how to listen to rock - with affection, cynicism and both feet on the dance floor. Is that enough? Through twenty-four years, the Stones have been low-class, high-class, crude, tony, showbizzy, uppity, smarmy, careerist and more diversely ironic than any other band. Do we ask too much of the Rolling Stones? Here they are with Dirty Work, their umpteenth American album since 1964 - actually their twenty-first, not counting greatest-hits compilations, EPs and live recordings - and they’re still making rock that crunches and snickers and yowls.
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